Wednesday, May 6, 2020

Performance Reviews

1

Lauren Haverlin
Professor Jorge Morejon
DAN 130
24 March 2020


Inside Out by Diana Schuemann


Inside Out is a dance choreographed by Diana Schuemann. It is paired with video and design by Jessica Moritz, a mixed media artist. Though Diana Schuemann could not perform this piece at film festivals scheduled in Spring 2020 due to the Coronavirus outbreak, she nonetheless posted the video online for people to watch and enjoy. The dance is performed in a storefront window for the public to see from the sidewalk and street.

The dance moves are very dramatic, architectural, slow moving, and almost robotic. The piece is not very graceful, but it is nonetheless a very inspiring and eye-opening piece. It seems to show that the dancer is confined to a small box, and she cannot move as freely as she would like. Therefore, the choreography is squeezed into a small box so that the artist has less range to move around. The lighting in this video is casted by the natural light from the street. The glare on the windows is evident, and cars even occasionally pass by, reflecting their images onto the dancer. Though this can seem somewhat distracting, it also shows the rawness of the dance. The dancer seems as though she longs to escape the trapped world that she is in, but the busy public keeps passing by and does not let her free. In the piece, Diana Schuemann wears all black while performing; this also sends the rather grim message that the dancer is confined and unable to express her true self. The lack of music in the piece also makes this dance almost uncomfortable to watch due to its lack of grace and rhythm. 

The dance, though unique and made from a combination of styles, is likely considered Modern dance. Modern dance has a much more freestyle form than ballet; it also favors movements that come from the expression of the dancer’s inner feelings. In this piece, there is clearly emotion and feeling. Modern dance began in the late 19th and early 20th centuries as a rejection of classical ballet. It arose from both the United States and Germany during this time. Modern dance grew throughout the mid 20th century and is still prominent today. It created new ways to move and prompted rebellion against what one originally thought of as “dance.” During the early 20th century, many other historical uprisings took place against the typical “rules” of society, which likely was reflected in the dance styles of the time.

2

Kennedy Stewart
Dr. Morejón
Dan 130 – 54
April 13, 2020
Sleeping Beauty Online




  Because of our current situation due to COVID-19, I chose to watch the State Street Ballet’s: Sleeping Beauty online. I picked this specific performance because as a child I loved this movie and Aurora was always my favorite princess. The performance begins with very fairy-tale like music and a partnered dance. I believe the music choice for this entire production was very appropriate. It allowed you and its audience to feel more than one specific emotion. It made the scene either peaceful, energetic and fun but also made some dramatic and intense. 



I felt like I could be there with them. Their outfits were very classic and simple. They had some sweet looking costumes as well as very time specific traditional villager and noble men/women costumes. You clearly could tell who the main characters were regardless of watching the entire performance or not due to the detailed elegance each costume provided us with. The lighting and stage pieces were very simple and basic, just a few “multicolored glass stained windows” in the background, however it’s understandable due to their premiere being canceled. However, it was performed with the same attitude I would have predicted they all would have had on their actual opening night. 



It did not seem like a practice run at all. I honestly didn’t even notice the “lack of” stage pieces and decorations. I was too focused on the dances themselves. The movements were all so technically correct it made my heart smile. From the lifts to the twist and turns to kicks and dips, everything was so precise and flowed so easily. They had to have spent weeks practicing to get everything looking the way it did. There were solos, duets, and group pieces; each performed with such passion. The timing of their movements were so in sync it was so pretty to watch. You could follow along to the story-line as the dances and show moved on. I believe this production was obviously a ballet and easily could have been performed during the Italian Renaissance in the fifteenth century. At the end of the entire performance, you could tell all of these dancers were incredibly proud of them and the production they put on as they should’ve been.

3


DAN130
Name: Siyi He
Professor: Morejon Jorge
Date: April 21,2020

 Review Paper: Saint Matthew Passion

           Ballet is one of the most popular dances in the world. It is one of the most beautiful and graceful dances which can easily catch the attention of anyone. I used to see ballet dances from kiddie shows, and it caught my attention. Seeing those illusions of a flying princess or prince, I know that every dance moves of every ballerina tell a story. Those stories behind every ballet piece fascinate me. Since I am passionate about ballet, I decided to write a paper about ballet; particularly the dance entitled “Saint Matthew Passion” by John Neumeier, its origin, current practice, and how it affects me personally.

          The “Saint Matthew Passion” like any ballet classic has a unique history and development. This ballet piece now popularized by John Neumeier is originally a Hamburg ballet classical by Bach. It tells about an essential religious subject matter, the Passion of Christ. The story that the dance piece portrays is deeply sentimental that when Neumeier saw it, he was moved (Stahl, 2020). He promised himself that he would choreograph that beautiful masterpiece someday. Fortunately enough, Neumeier realized that dream and by staging his version in New York. From a great work performed in a church in Hamburg, Neumeier brought the dance in a big theatrical production (Kisselgoff, 1983). Another re-production of the ballet performance was scheduled this month at the Hamburg State Opera, but has been cancelled due to the COVID-19 pandemic.

           As a popular ballet dance with a deep story to tell, the current practices of the dance have changed over time. Neumeier successfully created a danced mystery play that fits this secular age (Kisselgoff, 1983). As I watch the short clip of the dance online, I am impressed with how the choreography translates to a beautiful rendition of the suffering of Christ. With a new generation of dancers, every movement has excellent intensity and conviction that became a vehicle of expressing a memorable part of the bible story of the Christians. Owning his version of the dance, he gives the spectators an American view of everything and an American modern-dance production (Kisselgoff, 1983). Although he kept the platform steps that provide an over-all dramatic effect, he introduces his concept in the dance through the dancers wearing white, plain-garb (Stahl, 2020). With that, I can see the efforts of Neumeier for his version of the gospel of Saint Matthew.
           Looking back at my interest in ballet since then, the ballet dance version of Neumeier added to that interest. Even if people will not know the names of the characters portrayed by each dancer, but very glide and moves represent a moving story. The dance reminded me of when my teacher took us through some basic ballet moves in class. As I practiced the moves, I feel in love with the dance. The interactions in class as we executed some basic steps were truly memorable for me. So, when I watched the short clip of the ballet dance version of Neumeier, it strikes an excellent memory to me again. I know it takes a lot of hard work and discipline to execute every ballet moves. That is why it gives me the impression that ballet is genuinely a dance that entails so much training, not just of the grace of movements.

           Indeed, a ballet dance quickly stood out among other dances. While watching the “Saint Matthew Passion” by John Neumeier, it captivated me. Its history, development, current practices have given me a favorable impression of ballet in general. I may not become like a graceful ballerina, but surely I will continue to be passionate about ballet. And like the ballerina, I will embrace the value of discipline and hard work that ballet characterized ballet dance. 

 References
Stahl, J. (2020). The Dance Performances That Have Gone Online. Dance Magazine. Retrieved from https://www.dancemagazine.com/dance-performances-online-26455010.html.
Kisselgoff, A. (1983). Ballet: Hamburg gives Neumeier’s ‘Matthew Passion.’ New York Times. Retrieved from http://www.nytimes.com/1983/03/29/arts/ballet-hamburg-gives-neumeier-s-matthew-passion.html.

4


Shulin Wu
Professor Jorge Luis Morejon
DAN130
04/14/2020
Dance review
I have been learning dance since I was a child. I really like to watch dance performances and I always pay attention to some great dancers like Siting Qiu. Although I rarely practice dancing because of heavy schoolwork, I always watch dance shows because I enjoy the feelings brought by watching other dancing. One of the dance performances I watched recently was a dance competition called “Dance Smash”, which gathered lots of great dancers who performed in different dance types and competed with each other to be the winner. There are various types of dances in this competition such as: Ballet, Modern Dance, Classical Dance, Latin Dance, and Street Dance. My favorite performance in the competition was a Ballet show called "Light Chaser".
Ballet which was originated in Italy in the 15th century. Ballet used to be a court dance and was usually performed for celebrations. The King of France Louis XIV loved Ballet and promoted it in France. He even set up a dance school to teach Ballet. The culture of Ballet gradually spread to the whole Europe and later to the whole world. Ballet as a type of pure art, has another characteristic of being dramatic. Ballet shows are valuable for people to watch since most of the shows are created based on a story, with beautiful songs as backgrounds, which could always bring the audiences a sense of enlightenment.
In the competition, the Ballet show I loved was a dramatic Ballet dance brought by Yifan Zhang and Hongyi Fu. The dance intends to show a story that a boy loves a girl who is as bright as a star, and would like to follow her and accompany her even the girl never look at him. The overall dance is formed by some classical techniques of Ballet, such as lifting and spinning, to express the feelings of detachment. Since it is a dramatic dance, the audiences can feel that the boy is following the girl, but the girl never pay attention to him. Although the two dancers provided an excellent show and did a good job on bring people into their sad love story, I feel that they still need to improve their dance skills. All in all, Ballet’s charm attracts me continuing watching dance shows, and enjoy the beauty of it.

5


Jorge Luis Morejon
Dan 130
April 24, 2020
Live Performance Critique:
Waldeinsamkeit

I have watched the video of Hoyoung Im’s rehearsal of Waldeinsamkeit in the link. It is an amazing modern dance piece, and it is a solo performance by a male dancer in a dancing room. In the introduction, it is unbelievable that the whole dance piece such as music choreography and performance all are completed by himself. Therefore, I choose to watch this video and pay attention on three elements of this performance which are music, choreography and dance abilities. All of the three elements are critical in creating an atmosphere of sadness.

About the music of this dance, it creates a sad atmosphere with mainly piano playing. It also includes another instrument which is the cello in the middle part of the music. The melody is really soft and peaceful with slow rhyme, which emphasize the sadness of the atmosphere. This music and dance blend with each other perfectly.

About the choreography, all the movements are emotional and expressing the sadness. This is what learn in the class, many dancing styles are telling stories and express the thoughts, emotions of the dancers. The movements are in variety but some are unified, and the flow are really beautiful. Most of the movements are groundwork, he falls, lies and rolls on the floor. There are also some movements on the middle and high level. For example, in the beginning, he slowly withdraws backwards with small several steps. Also, he kneels on the ground and he creeps backwards in quick steps. These movements all showing he is struggling and wandering in pain. Then the audience can feel his emotions in a clear way.

About the dance abilities, he has flexing bodies and strong basis of dancing skills. He also understands how to use his skills and bodies to show his sorrow. He is also proficient in catching the rhythm and adjusting the speed of the actions. When is in the struggling, he slows down his movements and stay close to the ground. But when he changes the level of the actions, he changes and doing the transition action in a quick way, which is flowing and also express the small emotions changes.

In conclusionI really enjoy this dance piece and appreciate his talents as a musician, choreographer and dancer. Even though the costumes, the lighting and the sets are really simple. He dresses the black long-sleeved T shirt and sweatpants. About the lighting and sets, he rehearses in a natural light in the dancing room during the day. In my opinion, it can be in a dark environment and only shines a bright light following him during the formal live dance on the stage. But his environment is also a key feature of free modern dance. I have learned from a blog, which tells simplicity and focus on dance as symbols of the dancing style. The lighting I suggest is what I learn from the theatre performance in the class. All the elements are focus on conveying messages and evokes empathy in the painful atmosphere. He is really doing well in paying attention on dancing with the music.

6


Leyao Zhang

DAN 130       


Youth With You II:  The Eve

Link: The Eve


            Last weekend, I saw a live show on the internet called “Youth With You II”. In this show, one of the dance performances named “The Eve” was so impressive. This dance was performed by seven girls, however, the original version was performed by men. The genre is Kpop dance.

Kpop is Korean pop music which is a combination of Korean, electronic, dance-pop, and hip-hop music. In the early stages of k-pop formation, the emotions were mostly fanatical and flashy.  The genre showed the rebellious psychology of young people as it represented the aspirations of many young people. Most songs have a fast rhythm and a strong sense of rhythm, suitable for dancing. They often sing and dance at the same time, and the choreography is an important factor in their popularity.

In addition to the fast-paced dance genre, there are the slower lyric songs, which are better at expressing emotions. In this specific piece “The Eve”, it somehow breaks the stereotype of women by showing their possibilities in male band dancing. All of them were cool, and powerful in each movement. They were showing perfect balance of sexy and handsome styles. They were all wearing black and white costumes, which were very uniform.

Since the dance is men’s team dance, in order to staying cool, it requires lots of practice and basic skills. For example, their crotches have to be sufficient to do the body wave and ensure that the movement is not deformed as well. The stage lighting changed based on the lyrics. There is one verse that says “Through the thunder and lightning in the storm”, through which the lighting kept blinking to mimic the thunder. Then the bright white light disappeared, changing to red and purple. By using these warm colors, all the audiences were brought to the climax of the dance.

The dancers showed eye contact with the audiences. Even I, who was not watching the performance live was able to feel a strong emotional connection with them. They were trying so hard to show girl power and girls’ possibilities in every kind of dance. Thus, besides their beautiful movements, the thing that inspired me the most, was their emotions behind the dance. From their action and eye contact, I could feel their hard work and bravery in the face of challenge.



  7

Jiawei Yang
Jorge LMorejón
DAN130-54
2020.5.4

Sleeping Beauty
I watched the “Sleeping Beauty” performance by State Street Ballet, and really enjoyed it. It’s always said that, for a successful ballet performance, the music, the dance movements, the gorgeous costumes, and the splendid stage setting are indispensable. I always consider that only in this way can the audience follow the dancers and enter the fantasy fairy tale kingdom. After watching this short performance, however, I somewhat change my mind. There is no doubt that ballet performances always have high requirements for stage art to create a better visual illustration of the story. The dance movements and feelings expressed, however, are more critical and can genuinely catch the audience’s attention.
To start, I enjoyed the adagio of this short performance a lot. The male dancer holds the female dancer to complete the choreography and show various dance postures. The female dancer rotates and leaps and dances very lightly. Both the male and the female dancers dance gracefully to this lyrical adagio. The variation is also fabulous, forming a sharp contrast with those previous slow moves.
The female dancer performs a series of fast dance steps. Dancing lightly and gracefully, the female dancer perfectly combines complex and challenging skills with the music. I think in the opening duo dance, both the male and the female dancers are well-coordinated. Making harmonious movements together, they both achieve seamless integrations of the entire dance performance. Even though the stage settings are simple and crude, the dancers still manage to convey their emotions, providing me with this fantastic experience.

Reference
Stahl, Jennifer. “Watch: Carolina Ballet.” Dance Magazine, Dance Magazine, 4 May 2020, www.dancemagazine.com/dance-performances-online-2645501079.html?rebelltitem=15#rebelltitem15.

8

Minghui Sun
DAN 130
May 5, 2020
The New York Kathak Festival



New York Kathak Festival was created by the American Kathak community, in projection to inspire creative exchange between diverse New York audiences and local Kathak artists. The first of its kind, the New York Kathak Festival was intended to bring the Kathak community together so that they could learn, share knowledge, and connect in the free event with discussions dance styles, concerts and workshops. The recent New York Kathak Festival was conducted to present and promote scholars, dancers, and practitioners of Kathak dancing style. It is a classical dance with roots traced to India. The aim was to produce a festival which would bring together renowned and emerging artists from across the United States and all around the world.
This year New York Kathak festival concert was performed and conducted online because of the various restriction measures that have been put in practice by governments to contain the spread of coronavirus which includes a ban of mass gatherings. It was conducted on Saturday, April, 2011, 1.00 PM live on all online platforms such as Twitter, Facebook and Instagram. The invited artists performed Kathak, Ritual and Ceremony song. Some of the performers were Tanveera Alam, Anindita Neogy Anaam, Amita Batra, Shivangi, Priya Persad and Amita. The host was Poosta Bhardway. The performance hall was professionally organized with the performing stage set with a variety of instruments such as piano and guitars.
The show got a good reception on social media platforms for example on facebook it had more than 23 thousands viewers. The performers offered a bit of everything; a mix of gharanas and diverse styles in the repertoire.  We also see how the performers have used Kathak which is storytelling art to shape their own stories around the unique circumstances we are facing today. Viewers had an opportunity to interact on live chats and share different ideas which seemed likable to many.
Most of the performers focused on hardcore classical kathak; the inspired movements excited the audience. One of the popular performances was Lat Ulji Suljaja Balam which is an expressive piece and was performed by Pallavi Degwekar Shaikh. It is a storytelling piece which takes the perspective of Swadhinapatika the nayika heroine who has her lover within her subjection. Mullar from Singapore presented Dhanak After the Storm, sharing her version for life after the pandemic. Tanveer Alam, a dancer from Toronto, presented an invocation and technical compositions in teental.
Shivangi Dave who is a Singapore based artist presented a Tarana in Taal Ektaai with presion and grace. It was a composition by the living legend Pandit Birju Maharaj. Priya Persad performed technical composition in Taal Dhamaar. She is a talented young dancer from Trinidad and Tobago. In addition to the dance performance, she was capable of playing instruments. Sunena Gupta who is passionate about conceptualizing contemporary social message through the traditional lens of Kathak also offered her dance piece. Rain is often used as a metaphor for rejuvenation and life, thus she played in the performance with the metaphor imagining how life would be after the current coronavirus pandemic. Ruee Gawarikar who is a New Jersey based dancer and painter presented Thade Rahiyo in Baithak bhaav which is an expressive performance where the dancer was seated and performed in an intimate setting. This was a special treat given that we often don’t get to see baithak bhaav’s. composition by living legend Pandit.  

9
Dan130
J.Morejon
Haiming Hao
5/2/2020
Dance and Music Review of "La La Land"
In this part, the author is to review a screening of the song and dance drama "La La Land" that was carried out in this semester, and appreciate the contrast and presentation of dance and music to the stage effect. The "La La Land" depicts a love story through a coherent form of dance. The opening part of the classic long shot dance is a dance performed by different dancers in a huge traffic jam with roads and cars as the background. In this dance scene, the dancers have fewer responses to each other. It can be seen that there is no obvious emotional relationship.
On the surface, it seems that it cannot form a part of the text narrative. However, it seems that it can also be understood if it is observed from a broader perspective. This classic long shot expresses a kind of space-time background of text narration. When the shot is gradually withdrawn from the dance scene, with montage's technique, the protagonist in the drama appears on the screen. Even in this dance image, it can be understood that in this era, people's emotions are full of romance and freedom from the internal point of view, but what reality brings to people is the constraints and repression under social rules and urban civilization.
Besides, this dance is also a metaphor for the emotional development direction of the hero and heroine. In addition, the application of jazz music in "La La Land" has also played a finishing role. The opening of the song and dance drama "La La Land" vividly reflects the busy urban life in Los Angeles through a period of jazz music. People walking down from the car are singing jazz, going from solo to chorus, and then combining it with that form of dance. They form a small climax, which makes the drama more dynamic and vigorous.  It highlights the theme of the drama dream, and vividly displays people's busy, but vigorous state in the city. With its bright rhythm, jazz brings the audience an audio-visual shock in this song and dance drama.
The breakthrough of a drama lies in how to realize the daily life. "La La Land" does a good job at this point, because it integrates the performance with stage play style into life. With the contemporary Los Angeles City as the background of the times, the dance and music elements in the drama blend perfectly together. Through the changing light, subjective color, and clothing in line with the mood of the characters, the atmosphere is created, and the plot development is promoted step by step through the light, with the ups and downs of the characters' emotions.
10

DAN 130
Corinne Shaw

  Jumpin Jive by The Nicholas Brothers
   Jumpin Jive is an energy packed tap and jazz combo to music by the icon Cab Calloway.  The Nicholas Brothers performed this dance in a music hall for a live audience in a dinner show format; though, the dance is far from your average dancing and dining experience.  Miraculously, they performed this dance with only one rehearsal prior to their performance.  And the brothers can be seen tapping, jumping, and leaping to and from tables, chairs, stairs, pianos and the floor.  Their lively movements glide them across the room and engage the audience and musicians alike.
To further validate the level of perfection in this dance, an article reviewing the brothers states that Fred Astaire, one of the most famous dancers of all times, stated that Jumpin Jive was some of the greatest dancing he had ever seen.  My favorite part about this dance is the fact that the two dancers made their moves seem so effortless.  They dance with ease which made them seem like they were having the time of their lives.  This overall sense of enjoyment really made the performance memorable.  
The show opens with a lively musical performance by Cab Calloway.  Then, the two brothers emerge from a dinner table and start their dance.  Their taps seem to be a conversation between each other and constantly mimic the movement of the other.  The brothers do an amazing job incorporating their space into their choreography.  Most notably, the use a large staircase to change their levels and also showcase some very hard skills.
The most exhilarating part is towards the end of the dance when the two take turns jumping over each other as they move down the staircase.  The most interesting part, however, is that they land in a perfect split each time.  This dance is overall and incredible example of technical skill, artistry, and performance quality.  The brothers are not only able to captivate the audience with their dancing ability but also their personalities which are very evident throughout this dance.  
   References
  75 Years Ago, One of the Best Dance Routines Ever Was Filmed, Unrehearsed on the First Take.
https://twistedsifter.com/videos/nicholas-brothers-jumpin-jive-cab-calloway-stormy-weather/

11
     

Yi Gao
DAN 130-54
Professor Jorge
Apr. 14, 2020
Dance Review: Beat Me If You Can
            One of dance performances that I recently saw is named Produce 101 II. The program is set up to mainly provide stage and opportunities for 101 teenagers to become idols through the task, training, and assessment. Leading them to enhance their capabilities in dancing and vocal performance by star tutor training. The final results are determined by cycle popularity vote, temporarily out of process, finally by popularity vote for 11 male trainee, formed a group to debut new idol of the story.
            The dance form in the performance is mostly pop dance, which can be traced back to 1980s. The earliest exposure of Chinese teenagers to street dancing began with the American film "Break Dance" in the 1980s. With the in-depth understanding of hip-hop among Chinese teenagers, they gradually return to the origin of hip-hop and practice hip-hop with their own vision and characteristics. After years of development across the country there are training hip-hop teenagers, in the streets of various cities square can be their training figure. They also often organize small competitions (Battle, ballroom-dancing, comb-dancing), and the best dancers can win a lot of teenagers' appreciation.
            My favorite piece of the dance is called Beat Me If You Can. It was performed by 11 teenagers and 1 girl. From an audience perspective, the whole piece of performance has a perfect control of vocal, dance and rap. Their movements are super united, and there is a specific storyline throughout the performance. I have to say that performers have really high stage experience of the performance. In addition, the costumes and stage lights were magic, and the rhythm of background music sounds energetic, which makes me follow along with performers to move my arms when I was watching the performance. All in all, it was a super great piece of pop dance, and I really enjoy it!